The Mood of a Leader is Infectious

George and MarthEvery Tuesday and Thursday mornings, if I am home in Vancouver, I walk to my neighbourhood gym for a workout. I am an early riser, so this walk typically takes place around 6:00 AM, sometimes in the pouring rain, sometimes under blue and brightening skies. On my way to the gym, I always stop at the same Starbucks for my first injection of caffeine via a Grande dark roast coffee that I carry on with me.

Ever since I have been stopping at that Starbucks, the same man and same woman have been serving me. The friendliness of this duo is simply astounding, and they regularly greet me with a perkiness that would make Donny and Marie look like George and Martha from “Who’s Afraid of Virginia Woolf.”

Now even though I rise relatively early in the morning, I am never happy about it. As a result, I am somewhat sullen while I slowly come to grips with the fact that I am no longer in bed. So the first 25 to 30 times this über-friendly duo served me, it took everything in me not to reach across the counter and slap them. But their chipperness never wavered, and I soon came to realize that my grumpiness was no match for it. I now greet their smiles, banter and laughter with a smile and banter of my own (I’m working up to laughter), and I always walk out of that Starbucks feeling better than when I walked into it.

The simple truth is that moods are infectious. This is something I always discuss with executives and managers during our Leadership Through Storytelling workshops. More specifically, we talk about the fact that the mood they carry into the office has a way of positively or negatively influencing the moods of others. Good leaders are both aware of this fact and hold themselves accountable to it.

We have all heard the adage “It’s lonely at the top.” One reason it’s lonely is because good leaders don’t get to have as many bad days as everyone else. They understand and respect that their bad day—and the bad mood that accompanies it—not only communicates, but also contaminates, with the power to spread virally and knock an entire team off kilter. Conversely, when a leader walks into the office conveying a sense of focus, determination, promise and possibility, that positivity also spreads and, as it does, helps inoculate a team from the pressures, doubts and anxieties that might otherwise weigh it down.

We can’t always control whether we are in a bad mood or not. But we can control how we present ourselves to our teams and whether or not we’re going to let our bad mood corrupt their own. In other words, we can choose to appear in a good mood, even if we’re not. It’s not the easiest thing to do, but it is doable, and good leaders know that. And strangely, as we try to convince others that we’re in a good mood, we can eventually convince ourselves of the same: a transition that is often helped by the good mood coming back at us from our team.

We all have the power to do this on our own. But if you ever need a good mood shot in the arm, I know a great Starbucks you can visit to get it.

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When to Use Storytelling in Presentations

If you were to compare the worst presentations you’ve sat through to the best, you would likely see some patterns emerge. The former is typically packed with too many slides filled with too much content that the presenter feels compelled to read to you, line-by-line, with a mind-numbing monotony that makes you wish you were anywhere else in the world at that moment (e.g. having a root canal, in traffic court, trapped in an elevator, etc.).

In contrast, great presentations are more about the presenter than the slides, and they make you feel like you are witnessing something special as someone shares their unique perspective, insight and expertise with the world. There are many traits that make great presentations great, but one common characteristic is how the presenter uses storytelling to infuse richer meaning and humanity into the key messages he or she is conveying. Well-selected stories well-placed can add colour and dimension to a presentation, making it a more memorable experience for the audience.

To help you infuse your next presentation with more stories, outlined below are five guidelines that you can follow:

Expand your thinking around what a story can be. We define story as “an exchange of meaning shared from one person to another,” and it can take many forms. For instance, it can be a more traditional narrative with a clear beginning, middle and end: a narrative that comes from your own history, from someone else’s history or simply from history. But it can also be as simple as a beautiful image, insightful quote, parable, metaphor, video clip, cartoon, infographic or newspaper headline. Once you think more broadly about the definition of story, you begin to recognize all the different “meaning exchanges” that can be peppered throughout a presentation to give it greater depth and diversity.

Be strategic in the selection of stories. When you use stories in your presentation, it’s important that you don’t just tell any story at any time; you need to tell the right story at the right time. Because it’s not just storytelling, it’s strategic storytelling, used to compel your audience to think and feel in specific way.

Use a story at the start of your presentation to personally connect with your audience and establish context. Often when you present, you are walking into a room full of strangers who are likely expecting yet another “ho-hum” presentation. Starting your presentation with a story helps you break through their cynicism, lower their defenses and get your audience to see you as a person, not just a presenter. In turn, this makes them more likely to connect with you, trust you and listen to you. In addition, if you’re really strategic about the story you tell upfront, you can set the stage for the core content of your presentation that is to follow, preemptively shaping the way your audience will think about it and, in the process, making them more receptive to it.

Use stories in the middle to exemplify and give meaning to key points you are making. Shorter and more concise stories used throughout your presentation (such as an arresting image, relevant quote or illuminating infographic) can effectively bring to life the core ideas you are putting forward. It’s like you’re lobbing out a compelling concept to the audience and then quickly tossing them a short story to make that concept more real and tangible. That said, when you place pithier “exchanges of meaning” throughout your presentation, be careful not to provide too much of a good thing. Even the most brilliant presentation will start to feel tedious if every single point is followed up with a story (“Oh God, here he goes again!”)

Use a story at the end to provide one last inspiring thought before you finish. Ending your presentation with a moving video clip, a poetic quote or another narrative can serve as the perfect cherry on top of the proverbial sundae. It’s your way of giving your audience one last moment of inspiration and understanding before you send them on their way: one final dose of meaning to connect back to and reinforce the key messages and ideas you have put forward.

So the next time you’re preparing a presentation, think about embedding some stories in it to make it more engaging, enlightening and meaningful. But also think about the purpose and intent of the stories you’re embedding, making certain there is a relevant point to each one. Your audience will connect with your presentation more, take more away from it and love you all the more for it.

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How to Change Corporate Culture with Storytelling

Yahoo CEO Marisa Mayer’s decision to call all Yahoo employees back to the office will likely be studied for years to come not so much for what she did but for how she did it.

I can appreciate the need for Ms. Mayer to make a dramatic change to revive a flailing company; and clearly, this experienced executive understands the central role that employees play in helping her enact the change she envisions. After looking under the hood for several months, Ms. Mayer determined that a key issue holding the company back is the corporate culture that surrounds those employees: a culture that had become void of energy, innovation and inspired collaboration. And so, she set about to change that culture as quickly as possible. But it is in her haste, not her vision, that I think she erred.

Screen Shot 2013-03-12 at 8.51.51 AMStrong corporate cultures are developed or evolved over time, not overnight. They are seeded from the top down, as leaders determine and espouse a strategic vision and values for the company and (hopefully) create a working environment and operational framework that enable both. But they also grow from the bottom up, as employees not only see this strategic vision and values, but also see themselves in them, working together towards the vision and bringing the values to life each step of the way. Employees are the soil in which a corporate culture is cultivated, and the more nourished and involved that soil is, the more that culture will thrive.

Change is hard, but it’s also necessary, and it can be effective if managed properly. Storytelling can be a powerful tool to help corporate leaders soften the ground for change and engage and align employees around it. But to have the most positive impact on corporate culture, leaders have to use storytelling strategically in three ways:

First, envision a future story for the company and share it broadly, before you start making big changes. Tough workplace decisions are easier to understand and accept if there is some context first established for them: a bigger picture, a broader vision, a story that gives meaning to those decisions. CEO’s need to establish that context, and the best way to do so is by sharing a story of not only where the company has been and is today, but also where it must go in the future.

In looking at the company-wide memo that announced the end of working from home at Yahoo, it seemed that while they tried to connect that decision to other, previously-launched initiatives, there is still no broader story serving as a contextual backdrop for them. Maybe Ms. Mayer didn’t feel like she had the time to develop and share a bigger-picture, future-oriented story. But if she had before announcing the end of working from home, it would’ve made that bitter pill (and likely others) easier to swallow.

Second, invite employees into the conversation by asking them to share stories connected to the new vision for the company. Storytelling provides a way for corporate leaders to pull employees into a dialogue around a new strategic vision versus pushing tough decisions based on that vision down upon them. Granted, corporations are not democracies, and everyone doesn’t have an equal vote in how they’re run. But everyone does have a voice, and if they’re given a chance to express it through storytelling, they will be more open to the inevitable changes that are coming down the road. So while a new strategic vision for a company is typically crafted by its leaders, employees should be asked to contribute to that vision by sharing stories of how it is already coming to life in the trenches, where it isn’t coming to life and how it could better come to life in the future.

By connecting their own stories to a new corporate vision, employees are able make that vision real for them personally. And through the simple act of sharing those stories, they will often, on their own, draw conclusions similar to those the leaders of the company have already drawn. I’m certain that many employees already shared Ms. Mayer’s belief that working from home wasn’t working for Yahoo. I’m also certain many other employees would’ve reached that conclusion on their own if they were engaged in some StorySharing around the new vision and future story for the company.

And lastly, live by example by becoming the company’s Storyteller-in-Chief. When a CEO asks for new ways of thinking, talking and acting, employees will always look up the ladder to see if she is practicing what she preaches. CEO’s can do so by constantly sharing relevant stories of their strategic vision and future story coming to life and making a positive impact across the company.

I am eager to see if the changes at Yahoo will make a difference. I hope they do, because I hate to see great brands fall as the business behind them fails. I don’t begrudge Ms. Mayer making the decision she did, but the way she did it was like ripping off the cultural Band-Aid too quickly. I’m sure that, as a mother, she knew it would hurt and that employees would cry and complain. But she likely also thought that employees would eventually get over it and move on. For her sake and Yahoo’s, I hope they do.

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Three Ways to Define the Roles Your Brand Plays

DSC_2733To get people connecting with and talking about your travel and tourism brand, it’s important to rise above the straight forward promotion of features and instead create genuine experiences for your customers: experiences rich and compelling enough that they will naturally and instinctively draw meaning from them. When this happens—when a travel and tourism brand creates a truly meaningful experience for its customers—it ends up resonating with them and playing a role in their lives as a result, even if only for a moment.

Far too often, however, brand representatives have no awareness of these roles and therefore no concept of the impact they and the experience are having on their customers (as was the case with my Costa Rican zipline tour). To ensure nothing is left to chance, brand leaders must become conscious of the experience the brand provides, the meaning it creates and the roles that the brand plays in creating those experiences and eliciting that meaning. They must explore, uncover and define all these things so that everyone behind the brand can be more focused, intentional and inspired in their efforts, creating a lasting impression on the lives of customers as a result.

When thinking about the roles their brands can play in the lives of their customers, you should fish in three different strategic ponds for the right answers. Remember that brands, like people, are multifaceted and therefore can play different roles at different times. So don’t be afraid to identify three or four roles for your brand by taking the following into consideration:

Consider your brand as a profession— Imagine your brand as an engaged, upstanding member of a community in which your customers are the residents. What profession would your brand undertake in that community? What vocation would they serve to support, impact and facilitate the lives of their fellow residents? Are they more of a leader in that community (e.g. A judge, minister, drill sergeant, etc.) or do they play more of a supportive role (e.g. nurse, teacher, lawyer, etc.).

The Inn at Little Washington about an hour west of Washington DC, instinctively understands the various roles it plays in the lives of its guests. I once asked the owner and chef of The Inn, Patrick O’Connell, what it was that he and his staff actually do for people, and he replied: “It’s religion, psychiatry and theater all wrapped up together.” Anyone who has ever spent a weekend at The Inn at Little Washington or simply dined in it’s world-renowned restaurant can attest to the fact that this incredible property takes you on a spiritual journey (as a religious leader would), helps you discover or rediscover things about yourself (as a psychiatrist would) and most certainly ensures you are delighted, stimulated and enthralled (as any good theater director would). To get a sense of Chef O’Connell practicing some psychiatry, listen to this touching story he tells about an interaction with one of his guests.

Consider your brand as agent — The dictionary defines an agent as ‘a person who acts on behalf of another’, which is how most of us recognize and use this word. However, if we dig deeper into the dictionary, into the world of physics and chemistry, we find another definition: ‘something that takes an active role or produces a specialized effect’. It is this latter definition that we focus on here, thinking about how your brand—the experiences you create and the meaning drawn from those experiences—changes people, impacts their lives or creates a specialized effect. Is your brand a catalyst, somehow sparking a reaction in your customers, their relations or the world around them? Is your brand a portal, enabling your customers to exit one place or state of being and enter another? Or is your brand an illuminator, shedding light on a situation and enabling them to see it (and likely themselves) in a fresh, new way?

Consider your brand as a personal relation — What are the more intimate roles your brand plays for your customers? These roles can be as a member of their immediate family, but also their extended family: someone whom they’re not technically related to but who plays an important role in their lives nonetheless. This is a very abundant area for identifying roles, as we consider our own relationships with our immediate family members and the myriad of personal relationships we have with others. For example, the nurturing mom, crazy uncle, doting and spoiling grandmother, best friend, mentor, coach, good neighbor, caretaker, etc.

I once asked a very popular trainer what role he played with his clients, and he said: “Sometimes I’m their best friend. Sometimes I’m their worst enemy. But most often I try to be that supportive but slightly detached, cool older brother whom they admire and look up to, and I use that position to encourage them but also push them to try harder. And sometimes, I just smack them and tell them to ‘Move it!’ like my big brother always did to me.”

The more you start to look into these three areas of potential roles, the more you will see how easily they can blend into each other. Is a nurse a supportive profession or more a personal and intimate relation? Can’t a great teacher also be a catalyst or illuminator? If this starts to happen, let it. There are no hard lines between these three areas, so mix them up, approach them from different angles and don’t be afraid to cross-fertilize. You will get richer, more defined and unique roles as a result.

No matter what roles you uncover, make certain everyone on your staff not only understands them, but also recognizes their part in bringing those roles to life each day. When this happens, you will create more compelling experiences around your brand that elicit more powerful meaning for your customers, and they will love you all the more for it.

This post originally ran on February 12, 2013 as the fourth and final part of a series of articles I wrote for UK-based travel and tourism website, EyeForTravel. An eBook of all four articles (and more) is currently under development.

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How to Fix the Oscars

Oscar StatuetteIt seems that every year, as soon as the Oscars are over, the public trashing begins. It’s like a blood sport. After reading the blogs, scanning through Twitter and listening to feedback from Facebook friends, I think I am the only person on this side of the universe who thought the Oscars show on Sunday night was, well, pretty good. I enjoyed it; there, I’ve said it.

I laughed during Seth MacFarlene’s commentary and smiled at the musical numbers. I cherished watching some true divas sing live, especially the ones I thought were dead (sorry Shirley Bassey). And I marveled at the fashion and hair choices of not so much the presenters, who looked predictably flawless, but more so the award winners, who did not. (On a side note, someone needs to more broadly distribute the memo stating that no man should have hair longer than Jennifer Aniston’s; and no self-respecting woman over ten should wear pink leggings to anything, much less the Academy Awards.)

Now that the glitter dust has settled and the reviews are in, the organizers of the Oscars are undoubtedly wringing their hands in existential angst wondering as they do every year where they went wrong and what they can possibly do in the future to right this ship. If I had somehow managed to sneak past security and into the room, I would offer the following piece of advice to these people.

Bring more genuine humanity to the show.

This may be a gross generalization, but I think many men and women who are passionate about the cinema (as I am) are such because they are fascinated with people and the human condition. We watch movies because we get to escape our own worlds for a moment and see others navigating through different ones, experiencing struggles and triumphs that are relevant though compellingly unfamiliar to us.

In turn, we enjoy the Oscars each year not only because it celebrates an art form we love, but also because it gives us a glimpse behind the silver screen at the talented people who appear on it and the equally talented people who put them there. But while I appreciate that the movies I love are momentary suspensions of reality, I don’t want the Oscars to be. Certainly there should be glitz and glamour, but this is the time when I want to see the shiny veneer of make-believe stripped away, exposing more of the genuine human nature of the people connected to the film industry, especially the actors and actresses. It’s interesting that one of the things people are talking about the most from the telecast is when Jennifer Lawrence tripped on her way up to the stage. We loved and could relate to that moment because it was genuinely human.

In the spirit of bringing more humanity to the Oscars, I would do these three things.

  • Get rid of the red carpet interviews. The Oscars are likely losing viewers over time because no one with half a brain can stand to sit through more than ten minutes of the pre-show interviews. They are remarkably forced and unbelievably insincere, and everyone involved, especially the celebrities being interviewed, look like they are going through a root canal. It sets the Oscars off on the wrong foot before the show even starts.
  • Make all nominees go through acceptance speech training. Appreciating that the acceptance speeches probably account for 20% of the total telecast, the producers of the event should do whatever they can to make them more memorable. Instead of thanking a long list of people we’ve never heard of, winners should take some of the valuable time they have to say something meaningful and share a part of themselves and their craft with the audience. I will remember Daniel Day Lewis’s acceptance speech, while I forgot Anne Hathaway’s before she even finished it.
  • Showcase more raw talent. I think one of the key reasons I enjoyed this year’s event was because it reminded me how unbelievably talented many of these people are. Say what you will about Seth MacFarlane’s sense of humour (which I happen to love), but the man can sing and dance (as can Daniel Radcliffe and Joseph Gordon-Levitt); and that’s pretty impressive. Who knew Charlize Theron could dance so well? And while Adele and Jennifer Hudson still have it, you have to love and admire Barbra Steisand and Shirley Bassey for putting themselves out there, even if their voices aren’t what they used to be.

Part of being genuinely human is being yourself, proudly and unabashedly. The organizers of the Oscars should take note of that. I think one of the reasons the Oscars struggles is because it continually tries to be something it’s not and, in doing so, tries to be all things to all people. Quit it. It feels like you’re trying too hard: like you’re acting. And this is the one time of year where I don’t want to see that.

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How to Position Creative Agencies with Storytelling

The video above was taken last year in October, when I had the distinct pleasure of speaking at the MYOB Conference in Nashville. This annual gathering of creative service agencies and design firms is put on by renowned management consultant David Baker and How magazine, and it brings together an incredibly eclectic and exciting group of people. Appreciating that any creative services agency is only as good as the people within it, I spoke to this group about how they can use storytelling to attract, engage, align and retain talent. If you don’t feel like watching the video, a transcript of what I say is below. Enjoy!

Video Transcript

About  eight years ago, the business world started catching on to storytelling. They started realizing the place that this timeless art of humanity has in the cold, hard world of business. What they came to recognize was that storytelling has a way of connecting with the most important asset any organization has and that is, of course, people. Stories connect us to ideas, but they also connect us to each other, around those connections to ideas. They help us understand not just what we’re working on, but also what we’re working towards. They help us marry the logic of where we want to go as an organization to why we would even want to go there in the first place. This is a lot of what we’re going to talk about: how you can use storytelling to create that connection and how that creates collective understanding.

People are certainly important in any industry, but I would suggest that nowhere are they more important than in your industry and in my industry. At the end of the day, that’s what it’s about. Your clients are people hiring people. And people can be an incredible differentiating and distinguishing factor for your firm and your agency.

Your business, my business, it’s incredibly crowded and incredibly competitive. It’s a somewhat desperate business. You know…we’re fighting tooth and nail for every client, every account we can get at. And any advantage that we have, that we can leverage and showcase, gives us an advantage over our competitors. But guess what? There are lots of different things that can differentiate you, but some of them are maybe not as differentiating as you would think.

For instance, I’m sure a lot of you have a unique trademark process. So do I. But guess what? So do they. They might have successful case studies and shiny industry awards, and you do too. Great! They might have beautiful, kick-ass, hip offices, a cappuccino machine…I don’t know. You do too.

These things can be differentiating, and I’m not saying that you should ignore them. But I think the best potential for differentiation for you firm, for your agency, is your people. The ideas that they produce and the services they provide.

With some of your agencies, with agencies that I’ve lead in the past (I grew up in the advertising agency business) there are, a lot of times, some star players. Maybe one person, two or three people who are real showcase individuals that the agency becomes known for, or their work becomes celebrated and famous around the world. That’s a great thing. But if the story of your agency is inextricably linked to those people, sometimes there’s some risk involved with that. What if they got hit by a bus or worse, what if they went to competing agency?

There is risk involved in that. And again, not that you shouldn’t showcase those star individuals, but if the story of your agency is inextricably linked with them, there is some risk. Instead of focusing your story around those individuals, around those one, two or three people, think more about the collective, the collective of individuals. What binds this beautiful, motley crew together, emotionally, mentally, philosophically and, I would say even, spiritually. Uncovering that story can be powerful: the things  like where you are, where you’ve come from, where you’re going, the higher purpose that’s driving you there, the differences that you want to make in the world and in the lives of your clients. That’s what great agency and creative firm stories are made of.

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Lessons from Lincoln on How to Persuade with Storytelling

For the past several months, friends and colleagues have been urging me to see Steven Spielberg’s “Lincoln.” Having finally gotten the opportunity to do so on recent flight, I am grateful for my friends’ steady insistence. I am also grateful for the nice woman seated next to me who pretended not to notice me tearing up several times during the film.

Lincoln” is based on Doris Kearns Goodwin’s novel, “Team of Rivals: The Political Genius of Abraham Lincoln,” which my mother gave me for Christmas several years ago with the simple instructions of, “Here, learn something.” The movie does an incredible job of showcasing the remarkable depths of Mr. Lincoln’s persuasiveness: most notably his ability to swim tenaciously and tactfully against a current of opposition until he eventually tires that current and coaxes it to flow in his direction. The movie celebrates many things about Mr. Lincoln, reminding us what a great president, leader and man he truly was. What the film celebrates most, however, was Mr. Lincoln’s talent at oratory and debate and, in particular, his masterful use of storytelling to amplify the power, impact and persuasiveness of his oratory and debate.

I imagine that if Lincoln were alive today, retired from the presidency, he would be spending the twilight years of his stellar career sharing his wisdom on persuasive communications with others. I envision him giving a TED talk somewhere, waxing on about how and why storytelling can be so effective and powerful in the most combative of situations, sharing the following rationale.

  • Storytelling disarms people — While debate and arguments can be threatening, storytelling is not. We all have positive feelings of storytelling because it has been a part of our lives as early as we can remember, first exposed to us by loving parents comforting us at the end of the day and an integral part of our lives ever since. Accordingly, “Let me tell you story” can be a warmly familiar and wonderfully benign grenade to toss into the most contentious of discussions. It’s like issuing a momentary cease-fire for everyone involved, providing even the most heated of debates (and debaters) the ability to pause, take a breath and simply listen. And in that moment, tempers can calm and cooler heads can prevail.
  • Storytelling can help others to see your side of an issue — As storytelling disarms us, it brings down the mental and emotional barriers we erected to protect ourselves in arguments. And as those barriers lower, our ability to open our minds and our hearts to new ideas rises. Debate is often practiced as an intellectual exercise, as each party tries to out-logic the other. But storytelling calls on magic as well as logic, imagination as well as reason, and senses as well as sense. As storytelling opens people’s minds and hearts, it also opens up their eyes. Using a story to illustrate your point clears the smoke of a heated debate, if only for moment, and enables others to see where you’re coming from. They might not agree 100% with that perspective, but at least they’re now seeing it. And often, that’s half the battle.
  • Storytelling enables others to see you — The Danish author, Isak Dinesen, once said, “To be human is to have a story.” Our very lives are shaped by the stories we tell, the stories we hear and the stories others tell about us. When I embed a story into a heated debate, not only does that story enable my opponents to see my side of the issue, but it also gets them to see a side of me. Storytelling gives your opponents a glimpse at who are you, what you hold dear, what makes you tick. There is vulnerability in opening yourself up and revealing that that softer side of yourself, but there is also power. For in that moment, you compel your opponent to rise above the debate and connect with you at a deeply human level, paving the way for common understanding and potential accord. It’s easy to disagree with a point someone is making in a heated debate. It’s much more difficult to disagree with a story and, therefore, the person telling it.

Abraham Lincoln was a great leader because he was a great communicator; and he was a great communicator because he was a great storyteller. But he wasn’t just any type of storyteller; he was a strategic storyteller. He deeply understood the power storytelling has to influence the way people think and feel about an issue, shape their perceptions and move them collectively towards a desired action. And he was able to read a contentious situation, the people involved and their opposing point of view, and then strategically pick the right story to tell at the right time. Did he have a gift? Did someone teach him about storytelling? I don’t know. What I do know is that his ability to put storytelling to work simply…worked. And we are all the better for it.

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How to Build Meaning in Travel and Tourism Experiences

Meaning has been defined as “the end, purpose or significance of something.” In the travel and tourism business, meaning revolves around what matters about the experiences you create for your customers: more specifically how and why it matters to them. The meaning derived from a brand experience can ultimately be more powerful than the mere emotions associated it. Because while emotions shape how we feel during that experience, meaning has the potential to transform how we live as a result of it, affecting how we see ourselves, see others and see the world around us.

To help you explore and identify the meaning your customers should derive from your tourism and travel experiences, outlined below are areas of realization to consider. Each area contains a few framing questions to consider from your customer’s point of view.

1. Realizations about myself — What did I learn about myself from this experience? What new characteristics of myself did I discover or rediscover? How has the experience changed the way I want to live my life?

2. Realizations about my relationships with others — How has the experience created or renewed my connections with others? How has it changed my understanding or appreciation of relationships with important people in my life? What changes do I want to make to those relationships as a result?

3. Realizations about the world around me — How do I now see the world differently because of this experience? What did I come to admire and respect about my surroundings that I didn’t before? How would I like to see the world change in the future?

To bring it all home, a story to illustrate the meaning my partner and I derived from a recent road trip.

For years, I had heard from a wide variety of people that visiting the American Southwest – especially the Grand Canyon – was something everyone must eventually do. As people told stories about their visits, they would naturally talk about the unimaginable majesty and scale of the natural wonders they saw. But as I listened to them, I always got the sense that there was something more to their stories: something unsaid, deeply personal, and profound.

Admittedly, I was always a bit reluctant to dedicate hard-earned vacation time to visiting the Grand Canyon or natural wonders of the Southwest, feeling that the experience was somehow cliché (as well as being fairly certain all these things would still be around in the future so there was no hurry to see them). Despite these hesitations, my partner and I decided it was time for a visit, and in October 2012 we took a “Thelma & Louise” type road trip (minus the guns) visiting five national parks in Southern Utah before finishing our trip at the Grand Canyon.

As we toured through Canyonlands, Arches, Bryce Canyon, and Zion National Parks, a slow and steady transformation took place within us. In the moment, each national park seemed to somehow top the one before. Looking back, however, I think what was really evolving was our openness to each moment and our growing ability to embrace it with all of our being. By the time we rolled into Grand Canyon National Park, we were both as still and, at the same time, awake and alive as we’d been in years.

Three months hence, I know that what I took away from that trip is that I need to, on a more regular basis, unplug my smart phone, unclutter my mind and allow myself to truly be in the moment: a hard but necessary thing to do when I always feel like I am running a million miles an hour.

It was in these awe-inspiring moments at the national parks (and in junk-food-and-music-fueled drives between them), that I not only renewed my deep appreciation for my partner and our 15-year relationship, but also came to understand that we could help each other unplug more often. And finally, after touring through an area of utterly unique beauty and interacting with scores of different people along the way, I came to see the United States in a new light. Having lived outside of the U.S. for 15 years, I had lost touch with my native land. This trip renewed my connection to and pride in my sometimes-maligned home country and my fellow Americans.

Of course nature, in all its glory, played a large role in revealing these different levels of meaning to me. However, the U.S. National Parks Services also played a role, and I was incredibly impressed with what they do and how they do it. The park stewards seem to understand that the significance of a park experience comes from both the sensory celebration and quiet reflection that accompany being amongst such stunning landscapes: natural wonders that, while millions of years in the making, take your breath away in an instant.

Everything about the attitude and approach of the National Park Services enables this meaning to unfold—the neighbourly demeanor of the entrance gate greeters; the informative maps and insightful wayfinding throughout the parks; the incredible access to special locations via roads and walking trails; the modest, bare-basics accommodations in the parks and the near impossibility of finding a Wi-Fi signal anywhere within them.

“Journeys are the midwives of thought,” says Alain de Botton in his book, The Art of Travel. When we travel, we reflect, and in those moments of reflection we are given the rare opportunity to simply sit back and think about our lives, relationships and surrounding environment. The meaning we pull from those moments serve as the fuel and framework for the stories we tell others about them.

By envisioning and articulating what that meaning should be, travel and tourism marketers can ensure everyone within their organization understands the deeper significance of the experiences they are creating for people, and compel them to work collectively to create those experiences and enable that meaning to unfold. In doing so, they can make certain that the stories customers are telling about their brands are ones worth telling. And that’s pretty meaningful.

This post was originally published on January 10, 2013 as the third part in a series of articles I am writing for UK-based travel and tourism site, EyeForTravel.

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Three Ways to Distinguish Your Tourism Brand Through Experiences

Travel, tourism, and hospitality organizations that position their brands by focusing on product features are likely selling their brands short in the long run. While features are more concrete, most can be easily imitated, taking the wind out of promotional sails as competitors quickly adopt those same features. True brand differentiation requires organizational leaders to reach up into higher levels of understanding and identify the broader experiences the brand creates for guests and customers.

Admittedly, this is a harder tact, and the waters are murkier to navigate; but the results are well worth the effort. To help light the way, outlined below are three ways to identify the experiences that will help your brand rise to the top.

ONE — Look first to your brand values and identify ways they can come to life for your guests. Well-defined brand values philosophically unite a workforce and help everyone understand the higher purpose driving their efforts. However, to realize the full potential of brand values, they must be brought to life in the operations of the business, the actions of the brand, and ultimately, in the experiences that operations and actions combined create for customers. In fact, brand values only become real to customers and guests when they are brought to life through those experiences.

For example, international hospitality association, Relais & Châteaux, has five Ideals of Spirit that unite its 525-plus members: ideals like Sense of Place, Harmony and Being. As unifying as these ideals are, they alone don’t differentiate the brand. Knowing this, Relais & Châteaux identified five Guest Experiences inspired by each ideal, such as A Taste of the Land, A Celebration of the Senses and Awakening to Art de Vivre.

All of these experiences are brought to life in every Relais & Châteaux establishment around the globe, but they are interpreted differently in each location, reflecting the unique personality of the property, its proprietor and its surrounding region. While the values of the brand are important, it is the experiences that well-paying, discerning guests care most about. After all experiences are what they’re ultimately buying, not values. (View a film celebrating Relais & Châteaux’s five Guest Experiences, here.)

Two — Don’t just develop activities; create thoughts, emotions and sensations. The richest experiences are ones that appeal to many different parts of us at once. Yes, they are rooted in activities; but they transcend those activities to elicit thoughts, stir emotions and fire the senses. When multiple facets of us come alive through an experience it creates a more powerful and lasting impact, making us remember more, motivating us to share more and compelling us to come back for repeat performances.

Travel Alberta demonstrates this idea in the new brand story it launched a year ago. Alberta is a province with many incredible natural features—e.g. the stunning Canadian Rockies, the haunting Badlands and the majestic Eastern prairies. But rather than focus solely on those features and sell Alberta simply as a destination (as it had done in the past), Travel Alberta rose above them to position the province as a holistic experience: one that touches the head, the heart and all the senses. Internally, Travel Alberta encourages those working in the travel and tourism business to create “goosebump moments” for guests: those experiences that enrich our lives, give us something to brag about and are so mesmerizing that we must ‘Remember to Breathe,’ as brilliantly brought to life in this brand video.

Three — Don’t promise the experience; just deliver it. In this age of increasing consumer skepticism, we naturally start doubting a brand if it promises too much in its marketing communications. A brand can allude to an experience or show people in the midst of it. But experiences are much more meaningful when they are under-promised, over-delivered and allowed to unfold for guests in a genuine, surprising and unforced way.

To illustrate, a story. A couple of years ago when planning a trip to southern Africa, my partner and I cashed in just about every frequent flyer point we had to book two First Class tickets on Lufthansa. We’d flown their Business Class several times, but that section was all booked up so we decided to splurge on First. The overnight flight from Vancouver to Frankfurt was very nice, and we arrived in the morning refreshed and ready to tour around the city before our next overnight flight to Johannesburg. In Frankfurt, we met up with Daniel, a good friend who lived in Germany. After a nice lunch and walk around town, Daniel turned to us and said, “OK…you should get back to the airport now.”

“But our flight isn’t for another six hours,” we reminded him, a little hurt that he was done with us so soon.

“I know. I know. But listen to me, you need to get back and make full use of the First Class Lounge. It’s life changing.”

He wasn’t kidding. The moment we glided up the escalator past the elegantly inconspicuous sign, we knew we were entering into something special. The woman at the front desk took our boarding passes and said to come back precisely at 10:15 PM. “But our flight leaves at 10:25,” we remarked. She just smiled reassuringly and sent us on our way.

For the next several hours we proceeded to live like gypsies in the palace. We sampled some of dozen or so champagnes they serve by the glass. We took showers in the fully marbled, private bathrooms. We sampled more champagnes. We napped in the private bedrooms. We ate exactly 23 different things in the restaurant. We smoked cigars. We had ice cream sundaes. We got massages. And at 10:00 PM, sated, a little tipsy and convinced we would need more than ten minutes to catch our next flight, we walked back up to the front desk, where we were immediately and politely told to come back at 10:15.

As amazing as the First Class Lounge was, the best part was leaving it. At 10:15 we were taken down in an elevator to the tarmac where a black Mercedes with darkened windows stood at attention. We slipped into the back seat and were whisked away to a 747 that seemed to be (actually was) waiting just for us. As we pulled up to the plane, I couldn’t help but notice the faces staring out the windows at our car. Not being able to help myself, I reached into my bag and pulled out my sunglasses.

Walking towards another elevator, I felt certain I heard our fellow passengers wonder in several different languages, “Who’s that?” their voices somehow reaching through the fuselage and rising above the noise of the jet engines. We glided onto the plane, up the stairs and into our seats. And as the flight attendant handed us a glass of champagne (What’s one more?) and the plane pulled away from the gate, I leaned over to my partner and proclaimed, “I can’t ever go back.”

The product and service features associated with Lufthansa First Class are most certainly remarkable. But what is more remarkable and memorable is the ‘rock star’ experience those features create. I’m not sure if Lufthansa uses that term in their internal documentation, but it is certainly what the experience felt like as we were pampered, nourished and made to feel completely and utterly special. They promised little and delivered a lot, setting my expectations at a reasonable level and then allowing the experience itself to completely exceed them.

Rather than leaving satisfied, I left completely surprised, delighted and dying to share the story of this experience with anyone who would listen. More than anything, I left wanting to come back and experience the whole thing again, which I plan to do…as soon as I save up enough points.

This post was originally published on December 10, 2012 as the second part in a series of articles I am writing for UK-based travel and tourism site, EyeForTravel.

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Defining Experiences and Meaning in Travel and Tourism Brands

The following post first ran as an article on EyeForTravel, a global media company based in the UK specializing in business intelligence for the travel and tourism industries.

The world of travel, tourism and hospitality is a competitive one, with thousands of brands fighting to stay afloat in a raging sea of sameness. To distinguish your brand in a crowded marketplace, you must look beyond the more obvious features of your product to consider the broader experience you create for your customers, the meaning they take away from those experiences, and the role you play in their lives by providing them.

Let me show you what I mean, with two stories from my own recent travel experiences. The first story illustrates what can happen when a brand isn’t able to think beyond its most obvious features. The second story illustrates the benefits of shaping a higher ground experience that takes into consideration the meaning gleaned from that experience and the role that the brand plays in the lives of its customers by delivering it.

A Wonderfully Terrifying Zipline Canopy Tour in Costa Rica

Earlier this year, my partner and I and two good friends took a trip to Costa Rica. As most people do when they are touring through this beautiful country, we signed up for a zipline canopy tour through the rain forest. It was, in a word, terrifying, as two overly-relaxed, seemingly indifferent guides sent us hurling down thousands of feet of cable high above the rain forest, with barely a word of guidance before we literally and figuratively stepped off the ledge. No warm-up run. No step-by-step instruction. Just you, a harness, and fate. After we did our first run, all four of us were literally shaking with fear. But we were also exhilarated, and as our tour went on, our fear lessened and our exhilaration grew. By the end, we were completely charged by the thrill of it all, laughing, screaming and talking incessantly.

The product we bought was a zipline canopy tour, featuring long, hair-raising runs through the rain forests. In the area we were staying, there are literally dozens of operators selling these tours. The experience we shared was having the crap scared out of us. The higher meaning we each pulled away from that experience (one that became clear as we talked over many beers after the tour) was that were all, as we crept up to and over the age of 50, playing it a little too safe. We realized that life’s too short and we should push ourselves out to and over the edge now and then.

Was there any role played by this particular outfitter in creating that experience and eliciting that meaning? Not really. Certainly not intentionally. The guides, while nice enough, didn’t have any real understanding of what was happening to us – or didn’t seem to care. They were simply going through the motions instead of understanding the type of experience we were having and feeding into it. Make no mistake; we had a blast. But in the end, we attributed all those positive feelings, great memories and stories to the broader, more generic category of zipline canopy tours and not to the specific operator from whom we purchased the tour. When I hear of someone going to Costa Rica for vacation, I strongly recommend they do a zipline canopy tour, but I do not recommend the specific outfitter we used because I am certain they would get the same experience from any of the dozens of operators down there.

Storm Watching at the Wickaninnish Inn

In contrast, the Wickaninnish Inn in British Columbia is fully aware of the experiences, meaning and roles associated with their brand story, and they leverage this understanding brilliantly. “The Wick” sits on the western-most coast of Vancouver Island, on the edge of the Pacific Ocean. During the summer, it is one of the prettiest and most tranquil spots you can imagine. But from mid-October to late May, this elegant hotel and surrounding area is pummeled with horrific storms complete with howling winds, huge waves and horizontal rain. The owners and operators of The Wick figured out long ago that while they could control many aspects of the guest experience, they could not control the weather. And so they decided that if they couldn’t fix it, they should feature it.

Instead of shying away from this horrendous weather for half the year, The Wickaninnish Inn embraced it, creating a whole experience out of Storm Watching. For instance, in addition to providing beautiful bathrobes in each room, they also provide full, head-to-toe rain gear. And when a storm hits, the staff encourage their guests to suit up and walk along Chesterman Beach, so they can feel the raw power of that storm head on. They know that the meaning people take away from the Storm Watching experience is the realization of how magnificent nature can be and how much it needs to be respected. And the role they humbly take on is one of providing a window into Mother Nature in all her glory. Everyone who experiences Storm Watching comes away from it somehow captivated, transformed and full of stories that they enthusiastically share with others. Importantly, they all unequivocally credit The Wickaninnish Inn for creating these memories and strongly recommend it, by name, to friends and family.

These higher-ground areas of experiences, meaning and roles may be less tangible and harder to define; but if you are able to explore them, identify them and evangelize them with your staff, you can leverage that understanding to create richer experiences for your customers and more meaningful connections to your brand.

These experiences, the meaning derived from them, and the roles you play in providing them, make for the types of stories that people love to tell. Stories that distinguish your brand. Stories that position your brand effectively in a competitive marketplace. Stories that make all who hear them have to have that experience themselves.

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